Common Mistakes To Avoid When Shooting With Colored Gels ![]() So it is best to either use a proper gel holder, or tape the gel to the edges of the barn doors, away from the lamp, or simply turn off the modeling light as soon as you set up your lighting and mount color gels onto the strobes. One important thing to keep in mind when shooting with any type of colored gels is that they can melt from the heat of the modeling lamp, and that may ruin not only the gel itself, but also damage the lamp. The challenge with those was always getting the saturation that I needed: thin colored cellophane and gels typically yield less saturated colors. But for many years I had used inexpensive colored gels and colored cellophane before I gathered my today’s collection. They are all dense and have various levels of saturation, so I can select precisely the color and density that I need. I have an extensive collection of proper photographic color gels now, close to a hundred, including a few Rosco collections. But I have also learned over the years that I don’t really like the way yellow, red and green colored rim lights look on caucasian skin, while deep purple and most shades of blue will almost always look beautiful on any type of skin and hair as rim lights. When I am combining a few color gels in a shot, I always go for complimentary colors, for example blue and orange, purple and yellow, and so on.
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